双语阅读 || 乾隆的蜜汁审美-分校动态-启德考培官网

双语阅读 || 乾隆的蜜汁审美

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启德考培为大家分享双语阅读 || 乾隆的蜜汁审美一文，希望对大家考试有所帮助。

　　随着央视新综艺《国家宝藏》的大热

　　乾隆皇帝的蜜汁审美再次掀起热潮

　　首先

　　让我们一起来围观一下节目里播出的

　　这件稀世珍宝举世瞩目绝世无双的超凡技艺：

　　ps：无论大家对此文物的审美持任何看法，也不可否认其背后令人肃然起敬的工匠精神

　　各种釉彩大瓶

　　Large Vase with Variegated Glazes

　　▌Period: Qianlong reign (1736-1795)

　　瓶洗口，长颈，长圆腹。

　　This vase has a flaring mouth-rim, a long neck and a melon-shaped body.

　　颈两侧各置一螭耳。

　　On the two sides are handles in the shape of dragons.

　　所使用的釉上彩装饰品种有金彩、珐琅彩、粉彩等;釉下彩装饰品种有青花;还有釉上彩与釉下彩相结合的斗彩。所使用的釉有仿哥釉、松石绿釉、窑变釉、粉青釉、霁蓝釉、仿汝釉、仿官釉、酱釉等。

　　From the top to the bottom the glazes include gold, purple-ground and green-ground famille rose, Ge-style celadon, blue-and-white, turquoise green, flambé, "contending colors", Ge celadon, blue-and-white, green-ground famille rose, red-ground with gold painting, Guan-style celadon, and cloud blue with gold painting.

　　吉祥图案各有寓意。锦地蝙蝠和如意权杖分别寓意万福长寿。其他图案也有“福”、“安”之意。

　　Some paintings have implied meanings. For instance, a flower with bat and ruyi scepter means that fortune and longevity will last forever. Others are blessings for good luck or peace.

　　启德小科普：瓷母都有哪些花色

　　然后

　　高潮来了

　　让我们来几组瓶子

　　直观感受一下乾隆和他皇阿玛的审美差异吧

　　(文字介绍来自故宫博物院官网)

　　雍正

　　▽

　　胭脂水釉小碗

　　Small Bowl with Rouge-red Glaze

　　胭脂水釉是清代康熙年间新创的品种，雍正时期烧造得最为精致。

　　Porcelain ware in rouge-red glaze was innovated in the Kangxi reign and fired with skill in the Yongzheng reign.

　　此小碗造型优雅，小巧玲珑，其底釉极白，胭脂水釉粉嫩娇艳，代表了清代这一品种的最高成就。

　　The rouge-red glazed bowl is distinctive in its extremely white interior and vivid pink exterior. Graceful and exquisite, it represents the highest achievement of Qing dynasty technology.

　　乾隆

　　▽

　　斗彩勾莲纹“寿”字葫芦瓶

　　Gourd-shaped Vase with Interlocking Lotus and Chinese "Longevity" (Shou) Characters in Contrasting Colors

　　葫芦瓶通体饰斗彩缠枝莲纹，并饰红蝠、篆体“寿”字纹，象征福寿绵长。

　　This vase is decorated in "contrasting colors" with decor of lotus pattern with red bats and the character for longevity (shou), a combination that symbolizes prosperity and longevity.

　　雍正

　　▽

　　淡粉釉瓶

　　Pale-pink Ceramic Vase

　　此瓶胎质洁白细润，造型秀美，釉色均匀纯正，淡粉色如三月桃花，淡雅宜人。金红釉瓷器为雍正时创烧，在官窑传世品中亦很罕见。

　　The graceful vase has lustrous paste and unctuous uniform glaze. The pale-pink color compares to the peach blossom in March. The Yongzheng reign innovated the golden-red glazed ware which even today is very seldom seen among official kiln collections.

　　此瓶是典型的雍正官窑制品，为传世之珍。

　　This vase is a classic from the Yongzheng kilns and is extremely rare.

　　乾隆

　　▽

　　粉彩九桃瓶

　　Famille-rose Vase with Nine Peaches Design

　　乾隆时期的粉彩瓷器中有大量祥瑞题材的装饰，这类题材大都借助自然景物寓意吉祥。绘画工细、层次清晰、内容繁缛是其时代特点。

　　The famille-rose porcelains of the Qianlong reign were richly ornamented with auspicious natural objects, commonly done in refined brushwork, distinctive arrangement and abundance.

　　雍正

　　▽

　　淡黄釉瓶

　　Pale-yellow Ceramic Vase

　　雍正淡黄釉瓷器的造型多为小件的瓶、盘、碗、杯、碟等，小巧的形体配以淡雅的釉色，颇显俊秀典雅。

　　Most of the Yongzheng era ceramics with light yellow glaze were small objects such as vases, plates, bowls, or dishes. With this light glaze, they look very elegant.

　　清代雍正瓷器素以造型娟秀、胎釉精细著称于世。此瓶由康熙时的柳叶瓶演变而来，其娇美之形体，恬静之釉质，集中体现了雍正瓷器的艺术风格。

　　Yongzheng ceramics are famous for their pleasing shapes and delicate glazes. Reflecting the classical style in the Yongzheng period, this vase evolved from willow-leaf shaped vase of the Kangxi period (1662-1722).

　　乾隆

　　▽

　　松石绿地矾红彩云蝠纹葫芦瓶

　　Double-gourd-shaped Vase Decorated with Bats

　　葫芦形瓶是中国古代陶瓷中的传统造型，葫芦的多籽与缠绕的藤蔓被人类赋予多子多孙和延绵不断繁衍的含义。

　　Vessels in gourd shapes are typical among traditional Chinese porcelain productions. The gourd is often connected with auspicious meanings such as abundance and fertility.

　　瓶上的“红蝠”与“洪福”谐音，寓意“洪福齐天”。

　　The pattern decorating the vase is also intended as a rebus in which great fortune and blessing are represented by image of the red bats.

　　此瓶无论是纹样还是造型均反映了乾隆时期对“福文化”的理解和追求。

　　对比下来

　　大概可以感受到雍正的审美简约清雅

　　而乾隆追求热闹喜庆、富贵吉祥

　　但是被网友戏称为农家乐风格

　　附：文物相关词汇表

　　ceramic

　　陶瓷

　　painting

　　绘画