启德考培简介

　　启德教育，是国际教育领域的知名品牌，29年来致力于国际教育交流，是中国教育部官方认证的留学咨询与出国培训的旗舰机构。启德考培，是启德教育集团旗下的国际语言培训机构，一直致力于IELTS、TOEFL、ACT、SAT、GMAT、GRE、AE等出国考试培训，在美国纽约、波士顿及中国上海设立研发中心，教研核心团队由教学经验丰富的名师及毕业于世界百强名校的精英组成。每年有超过8000余学子通过启德考培达成高分梦想，顺利进入世界名校。

　　听力部分

　　内容概述：介绍小岛旅游，天气，酒店预订和其他设施

　　1. 19

　　2. 40 (minutes)

　　3. balcony

　　4. tennis

　　5. piano

　　6. fish dishes

　　7. garden

　　8. helicopter

　　9. cable car

　　10. firework

　　内容概述：花园介绍，一个小镇有很多花园在办展览

　　参考答案：

　　配对题：

　　11. B

　　12. B

　　13. A

　　14. B

　　15. C

　　16. B

　　地图题：

　　17. F

　　18. D

　　19. B

　　20. H

　　内容概述：两个学生对presentation做讨论(主题是Bean Coffee)，包括上台顺序，改进内容等。

　　参考答案：

　　单选题：

　　21. B

　　22. B

　　23. A

　　24. A

　　25. A

　　配对题

　　26. C

　　27. B

　　28. D

　　29. A

　　30. E

　　内容概述：介绍住在非洲西南部的企鹅。

　　31. temperature

　　32. movement

　　33. holes

　　34. roots

　　35. bones

　　36. weight

　　37. sharks

　　38. feathers

　　39. eggs

　　40. diversity

　　阅读部分

　　文章概要：主要介绍了石油产业的现状，历史以及人们为石油行业的发展作出的一些贡献

　　参考答案：

　　判断题：

　　1. Urban development leads to the demand of the replacement of whale oil. TRUE

　　2. The price of oil is more expensive than the containers. FALSE

　　3. NOT GIVEN

　　4. TRUE

　　5. FALSE

　　6. FALSE

　　7. NOT GIVEN

　　简答题：

　　8. Standard oil.

　　9. 25 refiners

　　10. Medical research

　　11. Oilsh tin.

　　12. Sugar

　　13. Seashell

　　内容概述：文章主要讲述人们对哈欠的研究。

　　参考答案：

　　段落信息配对：

　　14. D

　　15. D

　　16. A

　　17. B

　　18. B

　　细节配对(三个学校对应的研究内容)：

　　19. B

　　20. A

　　21. A

　　22. C

　　总结填空：

　　23. bond

　　24. danger

　　25. alertness

　　26. communication

　　内容概述：文章主要讲述了新西兰电影的历史。

　　参考文章：

　　Surprising History of New Zealand Films

　　The release of the first of Sir Peter Jackson's three The Lord of the Rings films 10 years ago changed how the world viewed New Zealand as a film-making nation.

　　While for decades New Zealand had produced world-class directors and actors - and a handful of internationally acclaimed films - The Lord of the Rings showed we could also make Hollywood-style blockbusters.

　　But there's been another significant achievement for New Zealand film since The Lord of the Rings that people would be less aware of, and one that Frank Stark, co-editor of a new book, New Zealand Film: An Illustrated History, points out. In the 115-year history of film in this country, more than half of all our feature films were made in just the past 10 years, he says. "That's a tribute to how much we've entered the world in technology," he says.

　　But, as the book, co-edited with Diane Pivac and Lawrence McDonald, shows over that 115 years New Zealanders were always busy making films, it just wasn't that many features.

　　"There were real blocks, both in [our] national psyche and marketing, to actually make feature films here, so people got out and made every other imaginable film. So many of those people really dreamed of being able to make full length feature films and weren't able to."

　　The book, with contributions from 24 writers, covers everything from the first public motion picture screening in 1896 (Auckland on October 13, Wellington on October 28) to last year's hit Boy, our most popular New Zealand-set film.

　　One of the first advertised screenings of a film shot in New Zealand was in 1898 of the opening by the governor of the Auckland Industrial and Mining Exhibition.

　　Stark says in looking at the early days of New Zealand film-making he has seen a double standard "in the best sense". "One is just that slight sense of astonishment that they got made at all in some cases, like Rudall Hayward who was developing films in his bath. But the other level is when you look at something like The Te Kooti Trail [1927] and put it up against Hollywood, he [Hayward] didn't have access to professional actors, which is probably one of the most telling differences. "But even so, those films of the 1920s, if only they could have got out of the country and be seen, they would have had an international audience. They would have been really well thought of anywhere in the world."

　　Stark, a film maker himself and head of the New Zealand Film Archive in Wellington, says one reason the book does cover a lot about early films is because of the research and discoveries that have been made in recent years. The archive marks its 30th birthday this year.

　　"The heart of it all is the actual fact that those films still exist. The story would be esoteric at best if the films weren't there to back it up.

　　"That's the great achievement of the archive in 30 years - bringing so many of those films back from the brink or from the deep cupboard in which they'd been forgotten about."

　　New Zealand Film: An Illustrated History is not the first book to examine the history of New Zealand film, nor is it likely to be the last. But An Illustrated History is touted as the most ambitious.

　　"There was a real sense that none [of the other books] really went for the whole picture.

　　"It's been some years since any kind of overview's been published, so the recent activity wasn't put in context [and] also those first 50 or 60 years hadn't been laid out either. We wanted to put the whole spectrum in there," says Stark.

　　He's also proud of the book's special feature - the inclusion of a 90-minute DVD from the archive, drawn from the thousands of hours in the vaults.

　　It includes scenes from films on DVD for the first time.

　　There is a wealth of information, interpretation and opinion in the book.

　　The first New Zealanders known to be captured on film? It included prime minister John Seddon and it was shot during Queen Victoria's Diamond Jubilee celebratory service in 1897. Geoff Murphy's Utu (1983) on the New Zealand wars is considered a breakthrough film for portraying Maori and Pakeha with tough-minded realism and giving equal attention to Maori and Pakeha characters.

　　There's also the observation that many New Zealand films - and our literature - are about adolescence or a rite of passage. One theory is that adolescence is a natural theme for a young country. Another theory is that youth is the most intense period in the life of New Zealanders, despite living, by world standards, in a very peaceful country.

　　There are other eye-openers. While Boy made $9.3 million at the box office, making it our biggest-grossing film, Once Were Warriors, which made more than $7m in 1994, was seen by more people. It sold more than one million tickets, compared - in part due to ticket price increases - with more than 845,000 for Boy. The average price for a movie ticket in 1980 was $2.39 ($10 in 2010 dollars). Today the average price is $15.

　　And while Jackson's most recent films, while shot here, haven't been set in New Zealand or tell New Zealand stories, the book doesn't ignore their impact or Jackson's significance in the history of New Zealand film.

　　Writer and film academic Roger Horrocks warns that despite our achievements, our film industry is small by world standards. Jackson makes a big difference, he writes. "His big budget area of the industry could disappear if this one-of-a-kind film-maker moved overseas, retired or had a run of box office disasters."

　　Horrocks also points out that essentially film-makers today face some of the same problems of Hayward in the 1920s - the size of the New Zealand market. In other countries, film-makers can try to cover their costs with home audiences, then make a profit overseas.

　　"But the size of our population makes that very difficult."

　　参考答案：

　　暂缺

　　写作部分

　　图表暂缺。

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